Texte of Claire Moeder :
Ashes encapsulates several layers of time and intervention.
Having burnt a photo print, Hannicq reintegrates it into an installation.
A lighting device alters its appearance and confronts us with the iconoclastic staging of the image’s material destruction.
Claire Hannicq
Claire Hannicq, «Ashes», 2016, Centre d'art Optica, Montréal - CAN, photographie : Paul Litherland
Claire Hannicq, «Ashes», 2016, Centre d'art Optica, Montréal - CAN, photographie : Paul Litherland
Claire Hannicq, «Ashes», 2016, Centre d'art Optica, Montréal - CAN, photographie : Paul Litherland
Claire Hannicq, «Ashes», 2014
Ashes, 2014
Photo print and lights, glass, white signboard, black wall, photo : 142 x 112 cm