Autonomous sculpture at the scale of the model, Invasion 1 uses vectors to represent a principle of top-down authority. Establishing itself on three complementary levels, it refers as much to the military maps organizing the attacks to come as to an imaginary science fiction where matter in the state of “thing” (Cf Lovecraaft, Carpenter) seems s ” be self-generated to destroy the precarious order of a city already aspirated by an underground void.
Guillaume Jezy
Invasion 1, 2015
155 × 70 × 55 cm Mulhouse 015, biennale of young contemporary creation of Mulhouse